Tuesday 13 February 2018

Live Review: Lehavoth/Dukatalon/MooM/Aphotik @ Tmuna Theatre, Tel Aviv [29th December 2017]

Lehavoth
Dukatalon
MooM
Aphotik


I think it's been a while since I've been to/reviewed a local metal show, so tonight sees me at the Tmuna Theatre in Tel Aviv to witness 4 local bands who all appear on slightly different parts of the metal spectrum.



Aphotik



First up tonight is local band Aphotik. I can't specify how local as none of their profiles suggest where they are from but Tel Aviv-ish would be a good guess. On stage, they are a very competent death metal band with the odd beatdown reminiscent of more metallic hardcore bands like Irate. Their Theocracy EP/demo is a bit misleading as the vocals lead more towards grindcore growling whereas the live vocals are so much more audible and therefore just a little bit more enjoyable. Think of a more death metal sounding Lamb of God and that's the kind of thing Aphotik do. As new blood goes, Aphotik are a nice surprise.

3.5/5



MooM














Not that it's too much of a surprise to anyone who knows me or even to anyone who reads this blog regularly, MooM are one of the main reasons I am here tonight. Consisting of people from other punk and hardcore bands, MooM are the most exciting powerviolence band in the country (there's just about enough of them for that statement to have any significance). Fronted by Sima (also singer for melodic punk band Not On Tour), MooM manage to blend powerviolence, sludge and hardcore punk perfectly in a way that they can not only play on punk bills like they have mostly been doing but also play a metal show like this and not seem out of place. Sometimes, it's all about the intensity and the enthusiasm put into the playing and MooM have that in spades, as everybody spasms about the stage ferociously hammering and shouting away. As well as regular crowd pleasers like Sacred Scripts and Piguey D'Kirot, there's some newer, more hardcore material which gets people head banging and pushing each other like crazy. MooM have definitely deserved their places on European festival billings and may they be met with many more!

5/5


 Dukatalon




As well as MooM, Dukatalon are my other main reason for being here tonight. Sludge and doom can be a bit hit or miss with me but sometimes I can just hear a band playing and get immersed in their grooves - this Tel Aviv trio is a prime example. I don't think I can name a single song of theirs...but I just know I love them nevertheless.
Although guitarist/singer Zafrir (Tsori)and the rest of the band don't really talk much on stage, it doesn't make the performance any less enjoyable. The band just blasts out their slow, low and heavy riffs which blend with pounding drums and echoey vocals to fill the venue like some sort of cloud of intensity over the crowd. Although the band's music in general has strong Crowbar influences, Zafrir's vocal are more gruff. The newer yet unreleased material even sounds like what Kingdom Of Sorrow (featuring Kirk Windstein of Crowbar and Jamey Jasta of Hatebreed
could have sounded like if the music leaned more towards Crowbar's sludge sound and had tons of reverb on Jasta's vocals.
It is good to see Dukatalon again after all this time. Although original drummer Yariv isn't around to make over-exaggerated expressions, set off confetti canons and generally hype up the crowd, new drummer Maayan does the job of knocking out the grooves with the greatest of ease. I'm now eagerly awaiting the new album!


4.5/5



Lehvaoth










I'll be honest, by the end of the night, I wasn't fully awake and can't remember much. However, what I can say is that I was quite pleasantly surprised by final act Lehavoth.
Having technically been around since 1995, the Tel Aviv band have gone through a few line-up changes. I think this is my first time seeing them. I can't be 100% certain but if I have seen them before, I must have been way more tired than I was tonight or else I would not have forgotten them. The band have a lot of life on stage and actually seem to have a lot of fun while playing their mix of grind and death metal.
Although there isn't normally much room for originality in those genres, Lehavoth are quite refreshing. There's almost a punk-like energy to their performance while still being very much metal - sort of like Napalm Death but sounding much darker. They might not be a band I would choose to see on a regular basis...but I definitely want to give them another go. I would definitely recommend listening to their latest EP Grinder.

4/5 


Photos by David "Doh Doh" Rosen - www.dohphoto.com

Monday 5 February 2018

Review: Krang - Singalong [January 2018]




Skate punk might not be as big as it was in the 90s but fast paced, melodic and slightly tongue-in-cheek punk rock isn't dead. One example is the hugely fun Krang from Czech Republic, named after the pink brain-like alien from Teenage Mutant Ninja Turtles. While the artwork to Singalong does include said baddie, this new album has a more general 80s/90s' pop culture theme compared to it's predecessor Baddest Brain, with titles like IDDQD (a cheat code for the original DOOM game), Kick Ass or Chew Bubblegum (They Live quote) and I Ain't Got No Time To Bleed (Predator quote).

Like before, the tracks on here are pretty short, fast and bouncy with vibes akin to Satanic Surfers, Millencolin and even Sum 41's more melodic side only with slightly more..er..European sounding vocals. Although I've heard stronger accents on records before, you can't help but notice it, especially when mixed with the odd grammatical error. This isn't an entirely bad thing, though - at least they're not pretending and it makes them distinguishable. 

Besides the movie quotes and retro references, the odd song tackles slightly more relatable subjects. King of a Dancefloor, for instance, is an anthem against violent dancing at punk and hardcore shows. Personally, I don't think hardcore dancing is something to be complaining about so strongly but it's clearly an important enough problem for the band...and I respect them wanting to get that message across. Ironically, the song is pretty kick-ass and might make you want to break things!

Other songs of importance include the short and anthemic No Fun In Fundamentatlism (where the Sum 41 vibes are most prominent), the fun and catchy Indian Jones Hates Nazis and Snakes and the band's impressive twist on The Beatles' classic Help! which still keeps the song's original essence while also being faster, harder and generally...more punk! 


I had the privilege to see Krang live in Tel Aviv last year. I meant to write about it but..yeh..never got around to it.. Anyway, as fun as they are on record, they are definitely a band to be experienced live for all their energy and on stage antics. Singalong in particular is just missing a little bit of that magic but is still an album worth checking out, especially if you're not into most modern day "pop punk".



3.5/5